Monday, January 28, 2008

FIRST CAMERA PHOTOGRAPHS



FIRST PERMANENT CAMERA PHOTOGRAPHS - 1825-26. Photographic history has recently been rewritten following the discovery of what is now considered to be the world's oldest photograph. The image, a reproduction of a 17th century Dutch print, predates by one year Frenchman Nicéphore Niépce's previous heliogravure of the view from his window at Le Gras, regarded until now as the earliest surviving photographic image.

In the early 1800s, Joseph Nicephore Niepce experimented with lithography at his home near Chalon, France. Nicephore explored light-sensitive varnishes, trying to find a coating that would record drawings after exposure to light. In 1816, he took photos using a camera and paper sensitized with silver chloride. He had some success, but was dissatisfied because the images were reversed (negatives) and could not be made permanent. He had tried to produce a positive print, but was unable to do so. He did find that nitric acid helped to preserve images for a while, but would not prevent eventual fading. Niepce's breakthrough came in 1822 when he made a permanent image using a camera obscura. After exposing coated pewter plates to a camera image, he used the vapors from heated iodine crystals to darken the silver and heighten contrast. The method would later inspire Louis Daguerre's successful mercury vapor development process. Within a few years the two inventors would become partners. Niepce was able to produce a copy of an engraving by passing light through the original photo onto a piece of glass coated with bitumen of Judea, a type of asphalt. Light hardens bitumen of Judea, so when Niepce washed the plate with solvent only the unexposed portions were removed, leaving a permanent image on the plate. He named this process “heliography” or sun-writing. He made numerous heliographs during the next several years and continued his attempts to produce a permanent camera image. In 1825, he was successful.

Kodak and the birth of film



The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.

In 1900, Eastman took mass-market photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s.

Despite the advances in low-cost photography made possible by Eastman, plate cameras still offered higher-quality prints and remained popular well into the 20th century. To compete with rollfilm cameras, which offered a larger number of exposures per loading, many inexpensive plate cameras from this era were equipped with magazines to hold several plates at once. Special backs for plate cameras allowing them to use film packs or rollfilm were also available, as were backs that enabled rollfilm cameras to use plates

Centurion


The Centurion and Centurion-S are the APS variants of the simple iS models (100/200/300). So they are SLR cameras with a built-on zoom lens, also known as ZLR (Zoom Lens Reflex) or Bridge Cameras.

The only diffence between the two Centurion models is the colour (the early model was black, the S is silver) and support for Mid Roll Change (MRC) in the S.
Both support IX date/time recording.

They have a 25-100 mm/F4.5-5.6 lens (35mm equivalent: 31-125mm). The focal length can be enlarged with a screw in TeleConverter to 145mm (35mm equivalent: 180mm). This converter is commonly sold together with the camera as a kit.
The shutter speed range is 1/2000~4sec, operation is similar to the simple iS models with a theme program button; there is no information of shutter speed or aperture in the viewfinder. The Centurions also support Super FP flash (synchronization up to 1/2000 sec.).

Superzoom


The Superzoom series (US: Accura) are all AF P&S Zoom cameras with built-in flash and automatic film transport. Some of them are almost as small and light as the Mju Zoom cameras, others, like the Superzoom 120, are larger and heavier. Their looks are more robust and less elegant design. They are cheaper than the corresponding Mju Zoom models.

Remarkable models were the Superzoom 120 which had a built in 4 fps. Motor Drive, and the Superzoom Wide which had a 28-80mm/F4.5-7.8 lens. Both are now discontinued.

The various zoom lensed used are: [70:] 38-70mm/F4.5-7.8, [80:] 28-80mm/F4.5-7.8, [110:] 38-110mm/F3.8-8.1, [120:] 35-120mm/F4.5-8.7, [105:] 38-105mm/F4.5-8.9, [800:] 38-80mm/F4.5-8.9, [700:] 38-70 mm F5.6-9.6, [115:] 38-115mm/F3.9-10.8, [140:] 38-140mm/F4-11, [130:] 38-130mm/F4-10.3.

Mju


he Mju Series cameras (called Stylus / Stylus Epic in the US) are one of Olympus' best selling AF P&S 35mm camera Series until today.
They can be seen as modern AF variants of the popular XA cameras from the 1980's. The cameras are extreme compact and lightweight, have a design look and a clampshell closing mechanism. AF performance was improved compared to the AF series, also the viewfinder was improved.

The Mju-I (US: Stylus), now discontinued, had a 35mm/F3.5 lens. Its successor, the Mju-II, still available, has a 35mm/F2.8 lens, a speed which is astonishing for a camera in its price class.
The QD version has a date back and is available in Champagne finish.

From both cameras limited editions were produced: 50.000 Mju-I Limited (US: Stylus Limited), which was deep metallic black, were made, and 65.000 Mju-II Limited (US: Stylus Epic Limited), which has a dark bronze colour and a panorama mode.

The zoom base models are: Zoom 70 (35-70mm/F4.5-6.9), Zoom 105 (38-105mm/F4.5-8.9), Zoom 115 (38-115mm/F4.5-9.7), Zoom 140 (38-140mm/F4-11), Zoom Wide 80 (28-80mm/F4.5-8.4), II Zoom 80 (38-80mm/F4.5-8.4). All these models have QD versions with data back and Champagne Gold finish.

O Product



The O Product was a 70 year anniversary camera (the company was founded in 1919) and produced in a limited edition of 20.000. The camera combined classical camera looks with a futuristic designer's look. Although clearly intended to be caressed as a collector's item, it is a modern AF camera with AE, built-in motor and detachable flash, 35mm/F3.5 lens.

AM-100


The AM-100 featured a 35mm/F3.5 lens with zone focusing: fixed focus in its normal position, and two addtional setting for close-up (0.5~1m.) and infinity. This was an interesting alternative since AF cameras were expensive at that time.
Other feautures were a programmed electronic shutter (1/45~1/400 sec.), DX decoding, built-in motor and a Quick Charge Auto Flash (recycle in two seconds).

PEN F


The culmination of the PEN Series was the half-frame SLR PEN F System.
This was a full-blown professional SLR camera system that was almost as versatile as the OM System that was launched nine years later in 1972.
The PEN F camera bodies were masterpieces of camera design by Maitani featuring an ingenious porro prism instead of a pentaprism, which allowed the bodies to be built as flat as the viewfinder PEN models, and a rotary shutter that allowed electronic flash synchronization at all shutter speeds.
The Pen F and FV bodies didn't have a built-in meter. Instead an accessory meter could be clamped onto the shutter speed dial at the front.
The FT body did have a built-in CDS meter. New versions of the System lenses were released for this model. There were also two special microscope versions (F based and FT based) with a photomicroscopic focusing screen.
There were 17 Zuiko Pen F lenses available:
20mm/F3.5, 25mm/F2.8, 25mm/F4.0, 38mm/F3.5 Macro, 38mm/F2.8, 38mm/F1.8, 40mm/F1.4, 42mm/F1.2, 50-90mm/F3.5 Zoom, 60mm/F1.5, 70mm/F2.0, 100mm/F3.5, 100-200mm/F5.0 Zoom, 150mm/F4.0, 250mm/F5.0, 400mm/F6.3, 800mm/F8 Reflex.

Electro Set


Rangefinder models with built-in meter (Selenium in the "Electro Set", CdS in the second model).
Zuiko 42mm/F1.8 lens.

PEN


The PEN EE ("Electric Eye") Series featured a built-in meter and automatic exposure (AE). The first model, the EE, used a simplified AE: there was only one shutter speed (1/60) and the aperture was selected by the camera.
On the later models two shutter speeds were available: 1/200 for AE and 1/40 intended for flash exposure with manual selectable apertures (also allowing manual exposure). The first models used a selenium meter round the lens, later models used a CDS cell in the camera.
Lens design was also changed on the various models. The original EE used a 28mm/F3.5, the EE-S had an 30mm/F2.8, the EM had a 35mm/F2 and the EE-D featured a fast 32mm/F1.7 lens next to Program Exposure (!).
The EM was a motorized model, the EF had a built-in flash.
The Rapid EE-D and EE-S were outsider models: they took the AGFA half-frame Rapid film cassettes instead of standard 35mm film.

Ace


The Ace bodies were full frame 35mm rangefinder cameras with exchangeable lenses. Four lenses were available:
35mm/F2.8, 45mm/F2.8, 80mm/F4 and 80mm/F5.6.
They featured parallax compensation, Copal SV shutter with speeds B, 1~1/500, M & X flash synchro. The Ace didn't have a built-in meter, the Ace-E did.
Accessories were limited to lens shade, filters and everready case.
The Ace E was also sold for Sears & Roebuck using the name "Tower 19".

PEN


The introduction of the Olympus PEN marked the beginning of the success story of Olympus as manufacturer of small innovative cameras. It runs parallel with the success story of its designer: Yoshihisa Maitani.
His first assignment for Olympus was to design a small, affordable quality camera. The result, the first PEN, was originally not produced by Olympus but when it turned out to be a very popular camera Olympus took production in its own hand, changed the model to PEN S, and many models were to follow.
They all had one thing in common: a very pocketable size, using the half-frame (18x24mm) 35mm film format. This allows twice the number of shots on one roll, up to 72!
The original PEN had a fixed Zuiko 28mm/F3.5. For half-frame this is a semi-wide lens (the equivalent of a 35mm lens on full frame). The PEN S, which was the first PEN made by Olympus, used a Zuiko 30mm/F2.8. The PEN W used a semi wide angle Zuiko 25mm/F2.8.
None of these models had a built-in meter.

Auto


These rangefinders were the first that featured AE (shutter speed priority). The Auto had a 42mm/F1.8 lens, the Auto Eye models had a 45mm/F2.8 lens. All of them had a built-in Selenium meter.
Other features: parallax compensation, Copal SV shutter with speeds B, 1~1/500, M & X flash synchro.

Eyeflex


The Eyeflex cameras were inspired by the Baby Rolleiflex Twin Lens Reflex camera for 127 (4x4 cm) film, introducing Automatic Exposure (AE) with shutter priority, simultaneously with the Auto / Auto Eye cameras for 35mm film (see below).
They had a huge selenium cell, and an option to switch from AE to manual exposure. The A model had two 60cm/F3.5 D.Zuiko lenses, the B model had two 60cm/F2.8 D.Zuiko lenses.
Only the A model was introduced to the public, the B model was never put into production. Decline in 4x4 popularity TLRs meant that R&D was stopped.

S I,S II


Rangefinders featuring a 42mm lens with speeds of F3.5, 2.8, 2.0 and 1.8. Shown is the S II 1.8. No built-in meter or AE.

The Wide models


The Wide models had 35mm wide-angle lenses. The Wide S was a rangefinder, the other models were viewfinder cameras.
The E and S models had a built-in meter. No AE.

Reflex cameras


This series of Twin Lens Reflex cameras for 6x6 roll film was released at a moment this camera type reached the top of its popularity. Literally hundreds of models from numerous manufacturers were available - 300 made in Japan in the fifties only. The Rolleiflex set the standard for this camera type.
The Olympus Flex B cameras had two fast 75mm/F2.8 lenses. The Flex A cameras were simplified models. These cameras were the last series of 120 (6x6 cm) film camera models Olympus made.

Olympus 35


The "35" Series can be grouped into three subseries:
- the I/II/III/IV/V series from 1948-1955
- the S I/S II/K series from 1955-1959
- the LE/LC/SP/RC/EC/ECR/RD/ED series from 1966-1978.

The Olympus 35, Model I was not only the first 35mm film model Olympus made, it was also the very first lens shutter type 35mm camera ever to be made in Japan. It incorporated a fixed Zuiko 40mm/F3.5 lens. The film mask had an unconventional size: 24x32mm instead of the usual 24x36mm.
All models in this series were viewfinder cameras; none of them had a built-in meter.

Chrome Six


Six
Chrome Six I
Chrome Six II
Chrome Six III
Chrome Six IVa
Chrome Six IVb
Chrome Six V
Chrome Six RII
The Olympus Six was a further development of the Semi-Olympus. The name is based on the 120 roll film format for 6x6 exposures. It incorporated a fixed Zuiko 75mm F3.5 lens and a Koho shutter.
Production of this camera was stopped between 1942 and 1945 because of the war.
The post war Olympus Chrome Six used a diecast body for higher precision and strength. In the Model II a Zuiko 75mm F2.8 was used. Model III intoduced a Film Plane Stabilizer which improved sharpness.
The Chrome Six IVa had a 75mm/F3.5 lens and an uncoupled rangefinder

Standard


1937 Standard
The Olympus Standard was a 127 roll film (645 format) rangefinder system camera was only prototyped and never put into production because of the war. Only 10 examples were made. It used interchangeable lenses, with a Zuiko 65mm F3.5 standard lens

Semi-Olympus Model I ,II


Semi-Olympus Model I-1936
Semi-Olympus Model II-1938
The very first camera that carried the name Olympus was the 120 roll film bellows camera Semi-Olympus I. Only the lens, a fixed Zuiko 75mm F4.5 was made by Olympus; the body was made by The Proud Company, and the shutter was a German Auto Compur. Perhaps this explains the name.
Its successor, the Semi-Olympus II however was a full Olympus product with a Koho shutter. This body was horizontally orientated and had a rigid finder instead of a folding one.